2026
Arturo Herrera
Paint on wall
Rising, artist Arturo Herrera’s wall painting, greets visitors to Sam Houston State University's Bowers Stadium Press Box with a vibrant, energetic visual focal point. The painting’s dynamic composition presents a rhythmic interplay of abstract forms and open space and reflects the enduring spirit of the University’s athletic program.
Unfolding horizontally across the building’s facade, Rising echoes the activity of visitors entering and exiting the building. The fragmented, biomorphic forms extend nearly 50 feet in length and contrast playfully with the precise surfaces and straight lines of the surrounding architecture.
The painting was executed by Made X Chilly.
2026
Marta Chilindron
Enamel-coated stainless steel
Chilindron’s Folded Triangle brings a sense of playfulness and vitality to the San Jacinto Hall patio through its bold colors and striking optical effects. Composed of geometric forms that appear almost devoid of volume, the sculpture relies on bright, saturated hues that contrast with the neutral tones of the surrounding architecture. Although constructed from simple, interconnected elements, the sculpture achieves a dynamic and complex visual result.
The observer is an essential component of the work. Designed to be viewed from all sides, the sculpture continually transforms as viewers move around it, revealing shifting color relationships and new visual perspectives. Its open forms frame portions of the sky, integrating the surrounding environment into the experience and reinforcing a sense of motion and transformation. In doing so, the sculpture brings energy and visual engagement to the patio space, encouraging interaction and contemplation.
Clare Christie
2025
Bronze
Clare Christie, artist, and Clint Howard, foundryman, are lifelong horse trainers and ranchers whose familiarity with their subject is apparent. This bronze sculpture of a horse mid-buck expresses the dynamism and energy of an animal in motion. Christie states that the sculpture emphasizes “the horse’s energy and breaks it down to the essence of the beauty of that motion.” The artist’s characteristic gestural, linear style creates shapes and voids across the sculpture’s surface as light changes throughout the day.
Project managed and produced by Clint Howard of Pyrology Foundry and Studio.
Adam Parker Smith
2025
Marble
Adam Parker Smith’s marble sculpture at the entrance to Sam Houston State University at Conroe’s Health Professions Building presents Asclepius, the ancient Greek god of medicine. The sculpture depicts Asclepius condensed into a dense cubic form, inviting the viewer to reconsider the reverence we place on classical ideals. This reinterpretation also parallels the evolution of medical knowledge over the centuries, as vast bodies of information have been condensed and adapted into modern medical practice.
Asclepius serves as a conceptual bridge between the past and present of healthcare. The god’s staff, still a universal symbol of medicine, represents healing, wisdom, and ethical practice—enduring ideals amid the rapid transformation of medical science. By compressing his figure into a geometric unit—something that could be stacked, stored, or measured—the sculpture reflects the structured, data-driven nature of contemporary medicine while maintaining a tangible link to its ancient foundations.
Nic Nicosia
2024
Bronze
Nic Nicosia’s bronze sculpture, a big thank you, presents a larger-than-life human figure, taking an exaggerated bow. The posture is difficult to interpret, seeming both theatrical and performative, but also expressing humility and grace. Nicosia states that he hopes viewers make connections between the sculpture and activities in the nearby Recreational Sports building. He hopes the sculpture calls to mind the strength, beauty of motion, and performance of an athlete.
Nic Nicosia lives and works in Dallas, Texas. He is considered a pioneer of the staged photographic movement prominent in the early 1980’s but has increasingly turned to sculpture in his artistic practice, bringing the figures of his photographs into three-dimensional space. Nicosia’s work is included in the collections of The Guggenheim Museum, The Museum of Modern Art, New York, The Whitney Museum, The Los Angeles County Museum, The San Francisco Museum of Modern Art, The Museum of Contemporary Art, Chicago, The Nasher Sculpture Center, The Dallas Museum of Art, The Houston Museum of Fine Arts, and The Contemporary Austin, among others.
Dan Philips
2018
Stainless Steel, Mosaic, Mixed Media
Kathleen Ash
2015
Glass, Forged Steel
Margo Sawyer
2018
Glass, Stainless Steel
Ed Wilson
2018
Stainless Steel